Lindsay's blog

A Gathering of Artistic Research: From New Science to Nameless Science


Art and Research
Volume 2. No. 2. Spring 2009


This issue of Art & Research represents a ‘gathering’ of issues and experiences in artistic research as manifest in papers and artworks presented on the ‘occasion’ of significant international conferences and symposia dedicated to artistic research held between May and December 2008:

Art and Research


Art and Research is an online journal for ideas, contexts and methods. It provides a resource of downloadable finished papers, interviews and conference notes that are considered important and current to the discourse that surrounds artistic research. The journal is international and peer-reviewed with an editorial board, one of the main editors being Ross Birrell an artist researcher and staff member at Glasgow School of Art. As well as being an interesting artist, Ross is also an interesting writer and his editorial paper Jacques Ranciere and The (Re) Distribution of the Sensible provides ‘Five Lessons in Artistic Research’ that condenses and links ideas such Rancier’s notion of the ‘distribution of territories’, a commentary on the value of certain disciplines over others, to Mika Hannula (and others) notion of the ‘democracy of experience’ which is ‘the precondition of a non-hierarchical research environment’.

An Email from Variant



CREATIVE SCOTLAND : An artists' briefing paper

There is much confusion over the formation of Creative Scotland and its remit, responsibilities and functions. What the proposed changes will mean for artists is being still further confused in what appears to be inter-agency horse trading. In the absence of transparency, the need for "confidence" in the "process" is much invoked. Here is what we think is actually going on...



Professor Kerstin Mey from the School of Art and Design at the University of Ulster will be giving a talk the Interface: Research in Technologies and Design project that she convenes (see ). The title of her talk is , `Art, Archives and Publics. INTERFACE explores two key processes that underlie innovative research practice in art and design. One is the investigation and redefinition of inherited categories of value and the other is the impact of digital media and new technologies on the production, distribution and mediation of art and design.


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